The full World Championship match results:
Get rythm (Joaquin Phoenix / Johnny Cash)
Hey get rhythm when you get the blues
C'mon get rhythm when you get the blues
Get a rock and roll feelin' in your bones
Get taps on your toes and get gone
Get rhythm when you get the blues
A little shoeshine boy he never gets lowdown
But he's got the dirtiest job in town
Bendin' low at the people's feet
On a windy corner of a dirty street
Well I asked him while he shined my shoes
How'd he keep from gettin' the blues
He grinned as he raised his little head
He popped his shoeshine rag and then he said
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
Yes a jumpy rhythm makes you feel so fine
It'll shake all your troubles from your worried mind
Get rhythm when you get the blues
Get rhythm when you get the blues
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
Get a rock and roll feelin' in your bones
Get taps on your toes and get gone
Get rhythm when you get the blues
Well I sat and listened to the sunshine boy
I thought I was gonna jump with joy
He slapped on the shoe polish left and right
He took his shoeshine rag and he held it tight
He stopped once to wipe the sweat away
I said you mighty little boy to be a workin' that way
He said I like it with a big wide grin
Kept on a poppin' and he'd say it again
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
It only cost a dime just a nickel a shoe
It does a million dollars worth of good for you
Get rhythm when you get the blues
For the good times (Kris Kristofferson)
Don't look so sad. I know it's over
But life goes on and this world keeps on turning
Let's just be glad we had this time to spend together
There is no need to watch the bridges that we're burning
Lay your head upon my pillow
Hold your warm and tender body close to mine
Hear the whisper of the raindrops
Blow softly against my window
Make believe you love me one more time
For the good times
I'll get along; you'll find another,
And I'll be here if you should find you ever need me.
Don't say a word about tomorrow or forever,
There'll be time enough for sadness when you leave me.
Lay your head upon my pillow
Hold your warm and tender body Close to mine
Hear the whisper of the raindrops
Blow softly against my window
Make believe you love me
One more time
For the good times
STABELVOLLEN MEDIA
Copyright of all music videoes, guest photoes and artworks solely belongs to the artists. Copyright of all other resources : Stabelvollen Media.
MUSIC FOR THE GOOD PEOPLE
THE GREAT AMERICAN SONG TRADITION
RAMBLIN' JACK ELLIOT
https://www.rollingstone.com/music/music-features/ramblin-jack-elliott-interview
-bob-dylan-bob-weir-894982/?fbclid=IwAR1lb9OFUUX4MLLYiJ-3zpn5ARXxH7NIlD1d1LFhltKVMCVPMaioIhRmfaM
Jack Elliott was born in 1931 in Brooklyn, New York, United States, the son of Florence (Rieger) and Abraham Adnopoz, an eminent doctor. His family was Jewish. He attended Midwood High School in Brooklyn and graduated in 1949. Elliott grew up inspired by the rodeos at Madison Square Garden, and wanted to be a cowboy. Encouraged instead to follow his father's example and become a surgeon, Elliott rebelled, running away from home at the age of 15 to join Col. Jim Eskew's Rodeo, the only rodeo east of the Mississippi. They traveled throughout the Mid-Atlantic states and New England. He was with them for only three months before his parents tracked him down and had him sent home, but Elliott was exposed to his first singing cowboy, Brahmer Rogers, a rodeo clown who played guitar and five-string banjo, sang songs, and recited poetry.
Back home, Elliott taught himself guitar and started busking for a living.
Eventually he got together with Woody Guthrie and stayed with him as an
admirer and student. With banjo player Derroll Adams, he toured the
United Kingdom and Europe. By 1960, he had recorded three folk albums for
the UK record label Topic Records. In London, he played small clubs and
pubs by day and West End cabaret nightclubs at night. When he returned to
the States, Elliott found he had become renowned in American folk music
circles.
Woody Guthrie had the greatest influence on Elliott. Guthrie's son, Arlo, said
that because of Woody's illness and early death, Arlo never really got to
know im, but learned his father's songs and performing style from Elliott.
Elliott's guitar and his mastery of Guthrie's material had a big impact on
Bob Dylan when he lived in Minneapolis.When he reached New York,
Dylan was sometimes referred to as the 'son' of Jack Elliott, because
Elliott had a way of introducing Dylan's songs with the words:
"Here's a song from my son,Bob Dylan." Dylan rose to prominence as a
songwriter; Elliott continued as an interpretative troubadour, bringing old
songs to new audiences in his idiosyncratic manner. Elliott also influenced
Phil Ochs, and played guitar and sang harmony on Ochs' cover of the song
"Joe Hill" from the Tape from California album.
Elliott appeared in Dylan's 1975-1976 Rolling Thunder Revue concert tour,
and played "Longheno de Castro" in Dylan's movie Renaldo and Clara
accompanied by guitarist Arlen Roth. In the movie, he sings the song
"South Coast" by Lillian Bos Ross and Sam Eskin, from whose lyric the
character's name is derived.
Elliott also appears briefly in the 1983 film Breathless, starring
Richard Gere and directed by Jim McBride.
Elliott plays guitar in a traditional flatpicking style, which he matches with
his laconic, humorous storytelling, often accompanying himself on harmonica.
His singing has a strained, nasal quality which the young Bob Dylan emulated.
His repertoire includes American traditional music from various genres,
including country, blues, bluegrass and folk.
Elliott's nickname comes not from his traveling habits, but rather the countless
stories he relates before answering the simplest of questions. Folk singer
Odetta claimed that her mother gave him the name, remarking,
"Oh, Jack Elliott, yeah, he can sure ramble on!"
His authenticity as a folksy, down-to-earth country boy, despite being a Jewish
doctor's son from Brooklyn, and his disdain for other folk singers, were parodied
by the Folksmen (Christopher Guest, Michael McKean, and Harry Shearer) in
the satirical documentary A Mighty Wind in the name of their "hit" album
Ramblin'.
A Mighty Wind also referred to a former member of the New Main Street
Singers, Ramblin' Sandy Pitnick, a somewhat geeky-looking white man in a
cowboy hat, apparently in parody of Elliott.
Elliott's first recording in many years, South Coast, earned him his first
Grammy Award in 1995. He was awarded the National Medal of Arts in
1998.
His long career and strained relationship with his daughter Aiyana were
chronicled in her 2000 film documentary, The Ballad of Ramblin' Jack.
At the age of 75, he changed labels and released I Stand Alone on the
ANTI- label, with an assortment of guest backup players including members
of Wilco, X, and the Red Hot Chili Peppers. The album was produced by
Ian Brennan. Jack said his intention was to title the album Not for the Tourists,
because it was recorded partially in response to his daughter's request for songs
he loved but never played in concert. When asked why he did not, he told her,
"These songs are not for the tourists."
In 2012 he was featured on the song "Double Lifetime" on the album
Older Than My Old Man Now by Loudon Wainwright III.
In September 2016, Rolling Stone reported that he will appear alongside
Bob Weir, on Weir's new solo album Blue Mountain, on the track
"Ki-Yi Bossie".
Arthritis Blues (Ramblin' Jack Elliot)
Went to the the doctor The doctor looked sad
Well, he looked in his book And he told me what I had
And its all, kinds of trouble
Going to find you somehow Arthritis is a thing to miss
It will leave you walking With a double twist
And it's all kinds of trouble
Going to find you somehow
Can't stand up, can't lay down You can't sit in a chair
You can't roll on the ground
And it's all kind of trouble
Going to find you somehow
Doctor, doctor, doctor Get your X-ray machine
Well it feel so good Just about like morphine
And it's all kind of trouble
Going to find you somehow
When you get to Heaven Tell the judge for me
I've had sixteen years of the third degree
And it's all kind of trouble
Going to find you somehow
All kinds of trouble, good Lord
Going to find you somehow
Soul of a Man (Ramblin' Jack Elliot)
Won't somebody tell me, answer if you can!
Want somebody to tell me, what is the soul of a man
I'm going to ask the question, answer if you can
If anybody here can tell me, what is the soul of a man?
I've traveled in different countries, I've traveled in foreign lands
I've found nobody to tell me, what about the soul of a man
I saw a crowd stand talking, I came up right on time
Were hearing the lawyer and the doctor, say a man ain't nothing but his mind
I want somebody to tell me, answer if you can!
Want somebody to tell me, what is the soul of a man
I read the bible often, I tries to read it right
As far as I can understand, there ain't nothin' but a barring lie
I want somebody to tell me, answer if you can!
Want somebody to tell me, what is the soul of a man
When Christ stood in the temple, the people stood amazed
Was showing the doctors and the lawyers, how to raise a body from the grave
Won't somebody tell me, answer if you can!
Want somebody to tell me, what is the soul of a man
Won't somebody tell me, answer if you can!
I want somebody to tell me, tell me what is the soul of a man
SELECTED DISCOGRAPHY
INTERVIEWS / DOCUMENTARY
JOHNNY CASH
Miller, Stephen (2003), Johnny Cash: The Life of an American Icon, Omnibus, ISBN 978-0-7119-9626-7.
Streissguth, Michael (2004). Johnny Cash at Folsom Prison: The Making of a Masterpiece (hardcover ed.). Cambridge, Massachusetts: Da Capo Press. ISBN 978-0-306-81338-2..
Turner, Stephen (2004), The Man Called Cash: The Life, Love, and Faith of an American Legend, Nashville, TN: W Publishing, ISBN 978-0-8499-1820-9.
Clapp, R (2008), Johnny Cash and the great American contradiction: Christianity and the battle for the soul of a nation, Louisville, KY: Westminster John Knox, ISBN 978-0-664-23657-1.
Jonathan Silverman, Nine Choices: Johnny Cash and American Culture, Amherst: University of Massachusetts. 2010, ISBN 1-55849-826-5
Christopher S. Wren, Johnny Cash: Winners Got Scars, Too, Abacus Editions, ISBN 0-349-13740-4
Johnson, Howard. "A tribute to Johnny Cash, the ultimate rebel and rock star". Classic Rock Magazine.
Cash, Johnny; Carr, Patrick (2003). Cash: The Autobiography. Harper Collins. p. 64.
Cash, Johnny; Carr, Patrick (2003). Cash: The Autobiography. Harper Collins. p. 3. ISBN 0060727535.
John R. "Johnny" Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer, songwriter, musician, actor, and author. He is one of the best-selling music artists of all time, having sold more than90 million records worldwide.
His genre-spanning songs and sound embraced country, rock and roll, rockabilly, blues, folk, and gospel. This crossover appeal won Cash the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame.
Born in Arkansas to poor cotton farmers, Cash rose to fame in the prominent country music scene in Memphis, Tennessee, after four years in the United States Air Force. Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black". He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career.
His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line".
During the last stage of his career, Cash covered songs by several late-20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Folsom prison blues (Johnny Cash)
I hear the train a comin'
It's rolling round the bend
And I ain't seen the sunshine since I don't know when
I'm stuck in Folsom prison, and time keeps draggin' on
But that train keeps a rollin' on down to San Antone
When I was just a baby my mama told me. Son
Always be a good boy, don't ever play with guns
But I shot a man in Reno just to watch him die
When I hear that whistle blowing, I hang my head and cry
I bet there's rich folks eating in a fancy dining car
They're probably drinkin' coffee and smoking big cigars
Well I know I had it coming, I know I can't be free
But those people keep a movin'
And that's what tortures me
Well if they freed me from this prison
If that railroad train was mine
I bet I'd move it on a little farther down the line
Far from Folsom prison, that's where I want to stay
And I'd let that lonesome whistle blow my blues away
INTERVIEWS
Man in black (Johnny Cash)
Well, you wonder why I always dress in black,
Why you never see bright colors on my back,
And why does my appearance seem to have a somber tone.
Well, there's a reason for the things that I have on.
I wear the black for the poor and the beaten down,
Livin' in the hopeless, hungry side of town,
I wear it for the prisoner who has long paid for his crime,
But is there because he's a victim of the times.
I wear the black for those who never read,
Or listened to the words that Jesus said,
About the road to happiness through love and charity,
Why, you'd think He's talking straight to you and me.
Well, we're doin' mighty fine, I do suppose,
In our streak of lightnin' cars and fancy clothes,
But just so we're reminded of the ones who are held back,
Up front there ought 'a be a Man In Black.
I wear it for the sick and lonely old,
For the reckless ones whose bad trip left them cold,
I wear the black in mournin' for the lives that could have been,
Each week we lose a hundred fine young men.
And, I wear it for the thousands who have died,
Believen' that the Lord was on their side,
I wear it for another hundred thousand who have died,
Believen' that we all were on their side.
Well, there's things that never will be right I know,
And things need changin' everywhere you go,
But 'til we start to make a move to make a few things right,
You'll never see me wear a suit of white.
Ah, I'd love to wear a rainbow every day,
And tell the world that everything's OK,
But I'll try to carry off a little darkness on my back,
'Till things are brighter, I'm the Man In Black.
Get rythm (Joaquin Phoenix / Johnny Cash)
Hey get rhythm when you get the blues
C'mon get rhythm when you get the blues
Get a rock and roll feelin' in your bones
Get taps on your toes and get gone
Get rhythm when you get the blues
A little shoeshine boy he never gets lowdown
But he's got the dirtiest job in town
Bendin' low at the people's feet
On a windy corner of a dirty street
Well I asked him while he shined my shoes
How'd he keep from gettin' the blues
He grinned as he raised his little head
He popped his shoeshine rag and then he said
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
Yes a jumpy rhythm makes you feel so fine
It'll shake all your troubles from your worried mind
Get rhythm when you get the blues
Get rhythm when you get the blues
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
Get a rock and roll feelin' in your bones
Get taps on your toes and get gone
Get rhythm when you get the blues
Well I sat and listened to the sunshine boy
I thought I was gonna jump with joy
He slapped on the shoe polish left and right
He took his shoeshine rag and he held it tight
He stopped once to wipe the sweat away
I said you mighty little boy to be a workin' that way
He said I like it with a big wide grin
Kept on a poppin' and he'd say it again
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
It only cost a dime just a nickel a shoe
It does a million dollars worth of good for you
Get rhythm when you get the blues
SELECTED DISCOGRAPHY