The full World Championship match results:
Get rythm (Joaquin Phoenix / Johnny Cash)
Hey get rhythm when you get the blues
C'mon get rhythm when you get the blues
Get a rock and roll feelin' in your bones
Get taps on your toes and get gone
Get rhythm when you get the blues
A little shoeshine boy he never gets lowdown
But he's got the dirtiest job in town
Bendin' low at the people's feet
On a windy corner of a dirty street
Well I asked him while he shined my shoes
How'd he keep from gettin' the blues
He grinned as he raised his little head
He popped his shoeshine rag and then he said
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
Yes a jumpy rhythm makes you feel so fine
It'll shake all your troubles from your worried mind
Get rhythm when you get the blues
Get rhythm when you get the blues
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
Get a rock and roll feelin' in your bones
Get taps on your toes and get gone
Get rhythm when you get the blues
Well I sat and listened to the sunshine boy
I thought I was gonna jump with joy
He slapped on the shoe polish left and right
He took his shoeshine rag and he held it tight
He stopped once to wipe the sweat away
I said you mighty little boy to be a workin' that way
He said I like it with a big wide grin
Kept on a poppin' and he'd say it again
Get rhythm when you get the blues
C'mon get rhythm when you get the blues
It only cost a dime just a nickel a shoe
It does a million dollars worth of good for you
Get rhythm when you get the blues
For the good times (Kris Kristofferson)
Don't look so sad. I know it's over
But life goes on and this world keeps on turning
Let's just be glad we had this time to spend together
There is no need to watch the bridges that we're burning
Lay your head upon my pillow
Hold your warm and tender body close to mine
Hear the whisper of the raindrops
Blow softly against my window
Make believe you love me one more time
For the good times
I'll get along; you'll find another,
And I'll be here if you should find you ever need me.
Don't say a word about tomorrow or forever,
There'll be time enough for sadness when you leave me.
Lay your head upon my pillow
Hold your warm and tender body Close to mine
Hear the whisper of the raindrops
Blow softly against my window
Make believe you love me
One more time
For the good times
STABELVOLLEN MEDIA
Copyright of all music videoes, guest photoes and artworks solely belongs to the artists. Copyright of all other resources : Stabelvollen Media.
MUSIC FOR THE GOOD PEOPLE
THE GREAT AMERICAN SONG TRADITION
TOWNES VAN ZANDT
"Townes Without Pity: The Battle for Townes Van Zandt's legacy", Austin Chronicle; accessed July 1, 2015.
Hedgepeth, William (May 1977). "Townes Van Zandt – messages from the outside". Hittin' the Note.
"Townes van Zandt: He lived for the sake of the song Oakland Tribune – Find Articles". June 30, 2007. Archived from the original on June 30, 2007.
"Townes Van Zandt – Biography", CMT.com; accessed July 1, 2015.
"Townes Van Zandt: 'The Greatest Musician You've Never Heard Of' By Frank Turner". August 28, 2015. Retrieved September 1, 2015.
Cockrell, Eddie (September 29, 2004). "Be Here to Love Me: A Film About Townes Van Zandt". Variety.com. Retrieved May 8, 2011.
"A Deeper Blue: The Life and Music of Townes Van Zandt (9781574412475): Robert Earl Hardy: Books". Amazon.com. Retrieved May 8, 2011.
Kruth, John (2007). To Live's to Fly: The Ballad of the Late, Great Townes Van Zandt. Da Capo Press. ISBN 0-306-81553-2.
Lomax, John, III (1998). "Townes Van Zandt". In Kingsbury, Paul (ed.). The Encyclopedia of Country Music. New York: Oxford University Press. p. 562. ISBN 978-0195116717.
"Be Here to Love Me: A Film About Townes Van Zandt: Review". Avclub.com. Accessed July 1, 2015.
Poet: A Tribute to Townes Van Zandt, AllMusic.com; accessed July 1, 2015.
Hardy, Robert Earl (2008). A Deeper Blue: The Life and Music of Townes Van Zandt. North Texas Lives of Musician Series. University of North Texas Press. ISBN 978-1574412475.
John Townes Van Zandt (March 7, 1944 – January 1, 1997), better known as Townes Van Zandt, was an American singer-songwriter.
He wrote numerous songs, such as "Pancho and Lefty", "For the Sake of the Song", "Tecumseh Valley", "Rex's Blues", and "To Live Is to Fly", that are widely considered masterpieces of American folk music. His musical style has often been described as melancholy and features rich, poetic lyrics.
During his early years, Van Zandt was respected for his guitar
playing and fingerpicking ability. In 1983, six years after
Emmylou Harris had first popularized it, Willie Nelson and
Merle Haggard covered his song "Pancho and Lefty", reaching
number one on the Billboard country music chart.
Much of Van Zandt's life was spent touring various dive bars,
often living in cheap motel rooms and backwood cabins.
For much of the 1970s, he lived in a simple shack without
electricity or a phone.
His influence has been cited by countless artists across multiple
genres, and his music has been recorded or performed by
Bob Dylan, Willie Nelson, Merle Haggard, Norah Jones,
Emmylou Harris, Counting Crows, Steve Earle,
Robert Earl Keen Jr., Nanci Griffith, Guy Clark, Wade Bowen,
Gillian Welch, Pat Green, Colter Wall, Jason Isbell,
Calvin Russell, Natalie Maines, and Frank Turner.
He suffered from a series of drug addictions, alcoholism,
and was given a psychiatric diagnosis of bipolar disorder.
When he was young, the now-discredited insulin
shock therapy erased much of his long-term memory.
Van Zandt died on New Years Day 1997 from cardiac
arrythmia caused by health problems stemming from
years of substance abuse.
A revival of interest in Van Zandt occurred in the 2000s.
During the decade, two books, a documentary film
(Be Here to Love Me), and numerous magazine articles
about the singer were written.
If I needed you (Townes van Zandt)
If I needed you Would you come to me Would you come to me
For to ease my pain
If you needed me I would come to you I would swim the seas
For to ease your pain
Well the night's forlorn And the morning's born And the morning shines
With the lights of love
And you'll miss sunrise If you close your eyes And that would break
My heart in two
If I needed you Would you come to me Would you come to me
For to ease my pain
If you needed me I would come to you I would swim the seas
For to ease your pain
Baby's with me now Since I showed her how To lay Her lilly
Hand in mine
Who would ill agree She's a sight to see A treasure for
The poor to find
If I needed you Would you come to me Would you come to me
For to ease my pain
If you needed me I would come to you I would swim the seas
For to ease your pain
I'll be here in the morning (Townes van Zandt)
There's no stronger wind than the one that blows down a lonesome railroad line
No prettier sight than lookin' back on a town you left behind
There is nothin' that's as real as a love that's in my mind
Close your eyes I'll be here in the morning
Close your eyes I'll be here for a while
Well there's lots of things along the road I'd surely like to see
I'd like to lean into the wind and tell myself I'm free
But your softest whisper's louder than the highways call to me
Close your eyes I'll be here in the morning
Close your eyes I'll be here for a while
All the mountains and the rivers and the valleys can't compare
To your blue lit dancin', flashin' eyes and yellow shining hair
I could never hit the open road and leave you layin' there
Close your eyes I'll be here in the morning
Close your eyes I'll be here for a while
Lay your head back easy, love, close your cryin' eyes
I'll be layin' here beside you when the sun comes on the rise
I'll stay as long as the cuckoo wails and the lonesome bluejay flies.
Close your eyes I'll be here in the morning
Close your eyes I'll be here for a while
Close your eyes I'll be here in the morning
Close your eyes I'll be here for a while
Rake (Townes van Zandt)
I used to wake and run with the moon I lived like a rake and a young man
I covered my lovers with flowers and wounds
My laughter the devil would frighten
The sun she would come and beat me back down
But every cruel day had it's nightfall I'd welcome the stars with wine and guitars Full of fire and forgetful
My body was sharp the dark air clean And outrage my joyful companion
Whisperin' women how sweet did they seem
Kneelin' for me to command them And time was like water but I was the sea
I'd have never noticed it passin'
Except for the turnin' of night into day
And the turnin' of day into cursin'
You look at me now, and don't think I don't know What all your eyes are a sayin' Does he want us to believe these ravings and lies
They're just tricks that his brains been a playin'?
A lover of women he can't hardly stand He trembles he's bent and he's broken
I've fallen it's true but I say unto you
Hold your tongues until after I've spoken
I was takin' my pride in the pleasures I'd known
I laughed and thought I'd be forgiven
But my laughter turned 'round eyes blazing and Said my friend, we're holdin' a wedding I buried my face but it spoke once again The night to the day we're a bindin' And now the dark air is like fire on my skin And even the moonlight is blinding
INTERVIEWS
SELECTED DISCOGRAPHY
JOHN PRINE
"The Devil's Music: John Prine – S/T – 1971". Devildick.blogspot.de. February 7, 2012. June 15,2013.
"Roger Ebert's Journal: "John Prine: American Legend"". Chicago Sun-Times. February 23, 2015.
Chilton, Martin. "John Prine: I Find the Human Condition Funny; John Prine, One of Bob Dylan's Favourite Songwriters, Is Appearing in the UK and Ireland. Here He Talks to Martin Chilton." Daily Telegraph [London, England] February 8, 2013, Web Edition Articles ed.: Print.
"Broken Hearts and Dirty Windows: The Songs of John Prine; Oh Boy Records". brokenheartsanddirtywindows.com.
"Prine, John", Encyclopedia of Popular Music, 4th ed. Ed. Colin Larkin. Oxford Music Online. Oxford University Press. Web. September 27, 2014
Flanagan, Bill (April 15, 2009). "Bob Dylan Exclusive Interview: Reveals His Favorite Songwriters, Thoughts On His Own Cult Figure Status". Huffington Post. July 12, 2009.
"A Literary Evening with John Prine and Ted Kooser". Library of Congress. March 9, 2005. May 22, 2018.
"John Prine Chart History: Americana/Folk Albums". Billboard. Retrieved April 24, 2018.
"CMT : Videos : John Prine, Holly Williams : I'm Telling You (feat. Holly Williams)". Country Music Television. September 16, 2016.
"John Prine - My Old Kentucky Home, Goodnight". Oh Boy Records. June 11, 2019.
John Prine (born October 10, 1946) is an American country folk singer-songwriter.
He has been active as a composer, recording artist, and live performer since the early 1970s, and is known for an often humorous style of country music that has elements of protest and social commentary.
Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago's Old Town School of Folk Music.
After serving in West Germany with the U.S. armed forces, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby.
A member of Chicago's folk revival, he was discovered by Kris Kristofferson, resulting in the production of Prine's self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic.
He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums.
After his battle with squamous cell cancer in 1998, Prine's vocals deepened into a gravelly voice.
Widely cited as one of the most influential songwriters of his generation, Prine is known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, or which recollect melancholy tales from his life.
Long monday (Elroy Keith Sykes / John E. Prine)
You and me Sittin' in the back my memory
Like a honey bee Buzzin' 'round a glass of sweet Chablis
Radio's on Windows rolled up
And my mind's rolled down Headlights shining
Like silver moons Rollin' on the ground
We made love In everyway love can be made
And we made time Look like time
Could never fade Friday Night
We both made the guitar hum
Saturday made Sunday feel Like it would never come
Gonna be a long Monday Sittin' all alone on a mountain
By a river that has no end Gonna be a long Monday
Stuck like the tick of a clock That's come unwound - again
Soul to soul Heart to heart
And cheek to cheek Come on baby Give me a kiss
That'll last all week
The thought of you leavin' again Brings me down
The promise of Your sweet love Brings me around
It's gonna be a long Monday Sittin' all alone on a mountain
By a river that has no end It's gonna be a long Monday
Stuck like the tick of a clock That's come unwound - again
And again
That's the way the world goes round (John Prine)
I know a guy that's got a lot to lose.
He's a pretty nice fellow but he's kind of confused.
He's got muscles in his head that ain't never been used.
Thinks he own half of this town.
Starts drinking heavy, gets a big red nose.
Beats his old lady with a rubber hose,
Then he takes her out to dinner and buys her new clothes.
That's the way that the world goes 'round.
That's the way that the world goes 'round.
You're up one day and the next you're down.
It's half an inch of water and you think you're gonna drown.
That's the way that the world goes 'round.
I was sitting in the bathtub counting my toes,
When the radiator broke, water all froze.
I got stuck in the ice without my clothes,
Naked as the eyes of a clown.
I was crying ice cubes hoping I'd croak,
When the sun come through the window, the ice all broke.
I stood up and laughed thought it was a joke
That's the way that the world goes 'round.
Summer's end (John Prine / Roger Cook)
Summer's end's around the bend just flyin'
The swimmin' suits are on the line just dryin'
I'll meet you there for our conversation
I hope I didn't ruin your whole vacation
Well you never know how far from home you're feelin'
Until you've watched the shadows cross the ceilin'
Well I don't know, but I can see it snowin'
In your car the windows are wide open
Just come on home Come on home
No you don't have to Be alone
Just come on home
Valentines break hearts and minds at random
That ol' Easter egg ain't got a leg to stand on
Well I can see that you can't win for tryin'
And New Year's Eve is bound to leave you cryin'
Come on home Come on home
No you don't have to Be alone
Just come on home
The moon and stars hang out in bars just talkin'
I still love that picture of us walkin'
Just like that ol' house we thought was haunted
Summer's end came faster than we wanted
Come on home Come on home
No you don't have to Be alone
Come on home
Come on home
You don't have to Be alone
Just come on home
Hello in there (John Prine)
We had an apartment in the city,
Me and Loretta liked living there.
Well, it'd been years since the kids had grown,
A life of their own left us alone.
John and Linda live in Omaha,
And Joe is somewhere on the road.
We lost Davy in the Korean war,
And I still don't know what for, don't matter anymore.
Chorus:
Ya' know that old trees just grow stronger,
And old rivers grow wilder ev'ry day.
Old people just grow lonesome
Waiting for someone to say, "Hello in there, hello."
Me and Loretta, we don't talk much more,
She sits and stares through the back door screen.
And all the news just repeats itself
Like some forgotten dream that we've both seen.
Someday I'll go and call up Rudy,
We worked together at the factory.
But what could I say if asks "What's new?"
"Nothing, what's with you? Nothing much to do."
[Chorus]
So if you're walking down the street sometime
And spot some hollow ancient eyes,
Please don't just pass 'em by and stare
As if you didn't care, say, "Hello in there, hello."
That's how every empire falls (John Prine)
He caught a train from Alexandria, just a broken man in flight
Runnin' scared with his devils, sayin' prayers all through the night
But mercy can't find him, not in the shadows where he calls
Forsaking all his better angels, that's how every empire falls
The bells ring out on Sunday morning like echoes from another time
All our innocence and yearning and sense of wonder left behind
Oh gentle hearts remember, What was that story? Is it lost?
For when religion loses vision, that's how every empire falls
He toasts his wife and all his family, the providence he brought to bear
They raise their glasses in his honor although this union they don't share
A man who lives among them was still a stranger to them all
For when the heart is never open, that's how every empire falls
Padlock the door and board the windows, put the people in the street
"It's just my job," he says, "I'm sorry," and draws a check, goes home to eat
At night he tells his woman, "I know I hide behind the laws"
She says, "You're only taking orders", that's how every empire falls
A bitter wind blows through the country, a hard rain falls on the sea
If terror comes without a warning, there must be something we don't see
What fire begets this fire, like torches thrown into the straw?
If no one asks, then no one answers, that's how every empire falls
INTERVIEWS / DOCUMENTARY
SELECTED DISCOGRAPHY